Fusion Guitar Lessons

Learn some movable magic chords and how you can use them. Steve's musical passion in recent years has been modern jazz and fusion guitar, and his playing has been heavily influenced by guitarists such as Pat Metheny, Mike Stern, Bill Frisell, Allan Holdsworth, Kurt Rosenwinkle, Scott Henderson, Wayne Krantz, Oz Noy, and John Scofield.
Each lick is played and then broken down for you to digest easily and consists of scales and arpeggios covered in both Static Chord Soloing 1 & 2. The lines all feature a heathly balance of contemporary guitar techniques such as legato, speed picking, intervallic lines, right hand tapping, slides and much more.



I thought that much of Allan's approach and style of playing arose from the fact that he did not want to play the guitar as a typical guitar - he was looking to obtain the fluidity and angularity of the saxophone, and I believed that much of this was inspired by the work of John Coltrane.
Though this approach will seem tricky at first, once you get it down it can really open up the neck for you, as well as give you a plethora of options when it comes to adding slides, hammer-ons and pull-offs to your lines and phrases, in the style of players such as Allan Holdsworth and Kurt Rosenwinkel.

I am an experienced teacher who has been teaching for a few years now whilst I study music in Southampton(specialising in jazz fusion guitar performance). Referring to the example that you gave (Tom Quayle), he is mostly playing inside, i.e. using the appropriate chord scale over the current chord.
This creates a swing feel and the effect of a long and short note on each beat without actually playing a long and short note. We cover both parts of learning how to play funk guitar, starting with a rhythm guitar lesson, learning how to play funky guitar chords and chord progressions.
One is for TrueFire which is on Blues Guitar, the other is for Mike's Master Classes which is on traditional Jazz Improvisation. Unlike those who rock and roll, funk guitarists hybrid picking fusion licks focus much more on the upper strings and generally employ, as has been said, techniques which enable them to make rhythmic, harmonious music in sync with the rest of the band.

Below are some jazz guitar lessons from the old website that have not made it to the new one yet. So I have seen a lot of guitar players playing fusion rock but never understood what is actually going on in the theory. In guitar solos by rock, jazz, funk, and fusion guitarists.
He has joined several bands playing a lot of different styles: from rock, blues, pop, jazz, gospel and a bit of heavy metal. Now that you've learned the chord progression and some ways to funk it up, it's time to learn the same shapes in a different area of the neck.

Two Chords Two Keys: A simple progression (D Min7 to D Maj7) with a focus on using chord tones to alternate between major and minor keys using triads and chord shapes to stay "inside" the keys resolve the changes. From big band swing, to bebop guitar, to jazz fusion.
You're now ready to apply approach notes to target notes to a ii-V-I-VI progression. In this section you learn three essential jazz rhythms that you can apply to any of your comping and chord-work in a jazz style. He draws from his experience both as a professional jazz guitarist and professional jazz teacher to help thousands of people from all around the world learn the craft of jazz guitar.

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